Tommy DiNello,&
Tommy DiNello, a freelance videographer, moves back to North Branford Ct. from New York City after two years on his own. His extremely close cousins, Marie and Dom Jr., are reluctantly accepting their father's new young foreign wife Varya, just two years after their mother's death. Since Tommy's parents moved to Florida when he was away, he has no choice but to stay with his Uncle Dominic and cousin Marie while battling memories of the reason he left town in the first place. His dear friend, Angela and him are reunited, This is bittersweet as she is the only one with clear knowledge and witness of his past.
1995年，Jonas是个躲(duǒ )在柜中(zhōng )的14岁男孩，他(tā )对英俊潇洒的(de )同学(🍡)Nathan一(yī )见(🐆)钟情，尤(🔙)其(qí )对(💣)Nathan桀骜(à(🌒)o )不驯的(🧔)一面又(⏲)(yòu )爱又(🐳)怕(pà )。18年(🐰)后，三十(🌤)(shí )而立(🎦)的Jonas已是(🀄)风(fēng )流(🦎)倜傥(tǎ(🏠)ng )的熟(🍲)男(🎉)，却仍(ré(📸)ng )在寻找(🔽)(zhǎo )人生(🍤)平衡点(📲)，因为挥(🔪)之不去(🥍)的回忆(👋)(yì )阴影(🌅)，他回到(🤴)(dào )睽违已(yǐ )久的家乡，试(shì )图在每(měi )个记忆角落，寻找早已失去(qù )的线索(suǒ )、14岁的自己，以及他(tā )曾经爱过的那(nà )个男孩(hái )…
曼道(🎤)和他的(🌩)(de )成年侄(🤗)子杰克(🔳)(kè )逊使(🐕)用(yòng )星(🌲)体投射(📄)来扭(niǔ(🤘) )转鬼魂(🥓)(hún )在万(📍)圣节的(😀)死(sǐ )亡(🎰)。
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
《大漠巾(🏆)帼情》由(🎅)国家(⛹)林(📷)业和(hé(🤑) )草原局(😍)(jú )、中(📁)共榆林(🚠)市(shì )委(🐀)宣传(chuá(👱)n )部、中(🐑)共榆阳(🦄)(yáng )区委(🍓)、榆阳区(qū )人民政(zhèng )府、中共榆阳(yáng )区委宣(xuān )传部联合摄制(zhì )，影片(piàn )以榆阳区补浪(làng )河女子民兵治(zhì )沙连为(wéi )故事原型，讲(jiǎ(📊)ng )述了治(⏩)(zhì )沙连(🖇)四十多(👡)年(nián )来(🥦)坚持(chí(🍃) )治沙造(😅)林的感(🥖)(gǎn )人事(⤵)迹，治沙(🏦)(shā )连的(🏂)女(nǚ )兵(💒)们用自(⤵)己的(de )青(💁)春，在(💕)毛(🔁)乌素沙(🥏)漠(mò )中(🚝)，谱写了(😓)一曲绿(🔞)色(sè )的(🕰)乐章，讴(🎉) 歌(gē )了(🏪)治沙(shā(⏯) )连艰苦(🕟)奋斗、自强不(bú )息的治沙精神(shén )，弘扬了继往(wǎng )开来、薪火相传的革(gé )命传统(tǒng )。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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