워(🎼)커홀(🐐)릭 DŽ
워(🎼)커홀(🐐)릭 남(🚪)편을 둔 가정주부 아키호는매일 밤 욕구 불만에 괴로워하지만 임신한 딸(🕜) 부부(💷)와 함(🕤)께 살(🌾)기에(🥋) 내색(🌐)도 못(🥩)한다(🔊).얼마(⏮) 후 딸(🏅)은 입(🏩)덧 때문에 입원을 하고 남편도 외국으로 출장을 떠난다. 아키호는 사위 타츠와 단 둘이 남게 되자그 동안 쌓인 욕정을(🈳) 참지(🤝) 못하(🥇)고 사(🥐)위에(🤗)게 뜨(💞)거운(🌂) 바디(😨) 어택(💊)을 시(👽)도한(🌸)다.
讲(♑)述漫(💗)画家(💰)Edgar在离(lí )婚后搬回(huí )家与(yǔ )父母同住，在他哥哥以前(qián )的房间里(lǐ )发现了一(🕉)个魔(🚫)偶(ǒ(🐈)u )，他于(🏼)是(shì(💁) )动心(🌧)(xīn )想(🐆)去纪(😫)念Toulon谋(💒)杀3 0周(📙)年的(🛡)集会(huì )上卖掉它(tā )。当他和新女友(yǒu )Ashley一起到达(dá )后，发现并不是只有他们(men )想卖(mài )掉木偶，所有的木偶都活(huó )了过(🛒)来，步(🔭)步(bù(🏺) )紧逼(🎢)，向那(🐉)(nà )些(🕋)少数(🚖)名(mí(🗝)ng )族下(👗)(xià )手(🥩)。 虽然(💕)(rán )属(👥)于魔(🎗)偶系(🤤)列，这部至小(xiǎo )帝国却和1968年的《活死人之(zhī )夜》很类似，在室内如一家小(xiǎo )旅馆(🖍)里展(❄)(zhǎn )开(🥒)情节(📚)，游客(🛺)和(hé(🌙) )住户(🛎)必须(🔉)(xū )群(🌕)起(qǐ(🎞) )而攻之。Edgar的独白告诉(sù )观众(zhòng )，为什么(me )Toulon要设计这些木偶(ǒu )，他们很(hěn )小，却极易在最不可能的(de )情况(kuàng )下击垮你(nǐ )。
The former star of a short-lived television sitcom, Fabien, drinks too much to remember everything he does and not much surprises him anymore. When his path crosses Yoni’s, he is not surprised to discover, in the wake of this young, tearful, military man, the head of yet another young man, beautiful like a dream, a memory, a reproach.
吉田(🙌)尚令(〽)作(zuò(👵) )画的(🐧)人气(👲)(qì )绘(🙁)本《爸(🐸)爸的(🐘)工(gō(😅)ng )作是(🕐)当坏(⚫)(huài )人(💻)》与续(💻)集《爸(🥦)爸是坏人冠军(jun1 )》改编真(zhēn )人电影
原本对生(shēng )活怀有希(xī )望的(de )吴子晗，在遭遇(🛎)命运(🚖)不公(🕯)(gōng )彻(📗)底发(🕺)生(shē(⛏)ng )转变(❇)，他的(🎠)身影(🛐)(yǐng )渐(❇)渐消失(shī )在那(nà )栋阴森恐怖的房子里(lǐ )，黑(hēi )暗深处他(tā )始终被恶魔缠身(shēn )，周而复(fù )始要(yào )寻找一个可以附身的(📦)(de )躯体(🛬)(tǐ )，摆(🖕)脱恶(🎷)(è )魔(🏥)，但远(🤨)远没(😿)有(yǒ(🔯)u )那么(🐸)简单(📁)(dān )…(📼)…
The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.
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