MANOS Returns
MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.
几(jǐ )部梦工(😽)厂动(🐊)画(huà )制(🍗)作的(de )全新动画电视(shì(🕶) )剧也将(🕕)在Netflix上首(shǒu )播。包括吉尔(💜)摩(mó )·(🍌)德(dé )尔·托罗(Guillermo del Toro)的(🔼)《巨怪猎(🗄)人(rén )》(Trollhunters)和根据80年代(📛)动(dòng )画(🎰)《百兽(🈚)王》(Voltron)重新构思(📮)的新版(🧡)(bǎn )电(🦇)视剧。
On the night of November 13, 1974, Ronald DeFeo, Jr. took a high-powered rifle and murdered his entire family as they slept. At his trial, DeFeo claimed that "voices" in the house commanded him to kill. This is their story.
“监(jiān )狱犬计(🥗)划”是(shì(🐘) )世界上(shàng )最为成功的(😤)服(fú )刑(🚋)人员重(💛)生计(jì )划之一(yī ),参与(🚓)计划的(🌚)(de )服刑人员需要(yà(🙉)o )训练(😤)流浪狗(🚻),使(shǐ )他们(men )成为对(🐷)社会(🌗)有(yǒu )用(🐃)处的工作犬(quǎn ),不用(yò(🔰)ng )被人道(🛃)毁灭;服刑人员也从(🛥)(cóng )计划(💟)中学到一系(xì )列驯(xù(🐅)n )狗技能(🧞),并学(xué )会如何关心他(🔗)(tā )人、(🏉)与(yǔ(🌄) )人相处;而需(xū(🤝) )要狗狗(🐄)的孤(📟)寡(guǎ )老人(rén )或残(👙)障人士(👮)等弱(ruò )势群体能够获(⛽)(huò )得一(⛲)个忠实(🚻)的(de )伙伴,是一项“三赢(yí(💇)ng )”的温暖(💗)计划(huá )。
莉莉(lì )·(🦒)柯林(🐟)斯、伊(🔆)(yī )恩·麦柯肖恩(😾)(ēn )、(🛎)托比·(📱)凯贝(bèi )尔(ěr )加盟(méng )动(🧔)画电影(😑)[来了(le )一只发火的龙(ló(🥣)ng )](
在《琐(suǒ(🐶) )事烦心》(Wolfsbergen,2007年论坛单元(🏾)),《布朗(🥤)运动》(Brownian Movement,2011年论坛单元)(♑)和《一切(🏠)很安(🖱)(ān )静》(Boven is Het Stil,2013年全景单(🥤)元(yuán ))(🦇)之后(🌌),荷兰(lán )导演(yǎn )娜(🐂)诺克•(🙌)利奥波(bō )德将会带着(🏥)新(xīn )片(🈁)来到2018年(🐞)的柏(bǎi )林电影(yǐng )节在(🏭) Generation 14plus中角逐(🕺)。以她特有的沉(ché(👅)n )静的(😤)激(jī )进(🎁)主义风格,她的新(😪)片跟(🛷)随(suí )着(🛁)15岁Cobain的脚步,在(zài )城市(shì(✒) )里徘徊(🎄),寻找(zhǎo )他自毁的母亲(🎠)(qīn )。在途(🌨)(tú )中,他遇到了(le )她的老(🚌)朋友们(⛲)(men ),社工们,以及(jí )一家(jiā(🧑) )美沙酮(🍹)诊所(🌄)。在他的电影处(chù(🌒) )女作中(❌)(zhōng ),Bas Keizer温(🆗)柔又有力(lì )地表(👈)现出了(🥈)一(yī )个必(bì )须要快速长大的(🍁)(de )男孩的(🥢)样子。
COCKYBOYS系列新电影“Love & Lost & Found”2018年4月(🍫)(yuè )中旬(🧢)登场。
The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.
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