《莫霍克人(ré(🍦)
《莫霍克人(ré(🍦)n )》立意为(wé(👐)i )历史(😕)剧，发生于(⤴)1812年(nián )第(dì )二次独立战(🏉)争接(😾)近尾声之(🌘)(zhī )时(🐹)(shí )，但随着美国原罪在(🥉)眼前(qián )展(👚)(zhǎn )开(🚚)，由此产生(🆓)的神(shén )秘(mì )色彩和(hé(🌏) )恐怖(🐛)效应让这(🆒)部影(yǐng )片(piàn )真正成了令人(🤭)毛骨悚然(💟)之(zhī(😪) )作(zuò )。
An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.
Laura and Ryan are perfect for each other: they both love Meryl Streep, have been totally destroyed by previous relationships, and they have no idea what they are supposed to do tonight. They also both know that they'll have to pretend to be completely different to how they've ever been previously, in the hope of getting it right this time. How bad can a second date really go and what is there to lose? Ryan and Laura are about to find out.
An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.
In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’d heeded the warnings and never knocked…
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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