牧江(🖐)村郊野山(🕟
牧江(🖐)村郊野山(🕟)藏(🌸)(cá(🎓)ng )有(yǒu )一(yī )怪(guài )，赤面獠牙，名曰垃(🌸)圾人，他身世(🌐)(shì(🌆) )神(shén )秘(mì )，以垃圾为食，日遇村(📷)妇(🧥)马(🔣)秀(xiù )娟，将(😯)(jiāng )其掳掠(luě )。马秀娟通(🗿)过与垃圾(👻)人(💾)的(🎆)交(jiāo )往，发(🚾)(fā )现他虽(suī )丑陋骇人(🕺)，却心地单纯(👺)。但(🥑)(dàn )天(tiān )不遂(suí )人愿，“单纯”的垃(👿)圾(🛡)人却将马秀(😉)(xiù )娟(juān )视(shì )为(wéi )配偶，囚于废弃(🈴)厂(🆘)房(😖)。矿山老板(🤬)徐(xú )东(dōng )南(nán )徐(xú )西(🔰)北两兄弟(🦈)欲(🎁)借(👈)炸山除垃圾人之名(míng )在(zài )野(yě(🎌) )山(shān )非法拓(👄)矿(🚻)，全然不顾马秀娟安危。而(ér )垃(🦒)(lā(🌤) )圾(➿)(jī )人通过(🏼)马秀娟逐渐了解人类(🐊)(lèi )的尊重(💎)(chó(🎅)ng )与(🔅)爱，遂将其(🚟)放归牧江村。马秀娟(juā(🥚)n )得知徐(xú )东(💃)南(😻)阴(yīn )谋后为救垃圾人与之抗(🍺)争(🚦)，最(zuì )终被(bè(🏔)i )绑于山上，垃圾人为救马秀娟与(🧤)徐(🌃)(xú(👡) )东(dōng )南(ná(🗿)n )死(sǐ )命相搏，后被徐东(🔛)南炸死。环(🤳)保(🍲)组(🤡)(zǔ )织(zhī )声(shēng )明(míng )垃圾人出现乃(🌥)牧江村的环(👁)保(🤢)意识薄(báo )弱(ruò )之(zhī )恶(è )果，垃(⛺)圾(🏯)人本无罪，罪(❤)在人心对环(huán )境(jìng )的(🎯)(de )态(tài )度，并(🏎)呼(🥜)吁(🚽)民众善待(🛏)环境。
《被遗(yí )忘的季(jì(🐉) )节》是一部惊(😓)悚(🏅)片，讲述了(le )一个平(píng )凡的人(ré(🤝)n )在(💿)成为杀人犯(🚷)的过程中出现(xiàn )的(de )互助(zhù )、放(🎊)任(🈷)等(🦍)人类心理(🆖)。将平凡而又寒(hán )心(xī(🕗)n )的(de )无(wú )业(🖱)游(🐕)民(🦂)设定为犯人，将弟弟设定为(wéi )充(🖲)(chōng )满(mǎn )出(chū(🖖) )人(🐋)头地欲望的记者，将偶发性的(🏤)一(🕠)(yī )次(cì )杀(shā(🏘) )人(rén )与另一个个人的欲望相遇(⏫)，如(🤕)何(🍿)演(yǎn )变(bià(🤒)n )成(chéng )连(lián )环杀人，平凡(🔼)的犯人为什(⏪)么(🔌)(me )成为怪(guài )物(wù )。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
多摩湖のほと(😭)りで男性の(🖖)遺(yí )体が発(fā )見された。遺体の(🦓)身(💳)元(🚣)は、株式(🍈)会(huì )社(shè )橋本(běn )商事(😉)の社長で(🤣)あ(📷)る(🎓)橋本圭一（山上(shàng )賢(xián )治）と(💺)判明。死因は(🚖)頭(🕹)がい骨の骨折による失(shī )血(🌊)死(🍑)で、後頭部(🌻)を鈍器のようなもので殴(ōu )打(🎦)さ(🐉)れ(📶)ていた。身(😹)元確認に来た社(shè )員(🥡)(yuán )の伊(yī(🚈) )藤(🔍)（(🚼)浅香航大）によると、橋本は(📑)最(zuì )後の電(🌨)話で、兵庫の「丹波篠山(shān )」(🏢)に(🤵)い(🍶)ると言(yá(🚍)n )っていたという。遺体(➕)が発(fā )見(🈯)さ(💧)れ(🌿)た東京の多摩湖からは距離が(🚜)あることか(📉)ら(✡)、別の場所で殺害された後(🎓)に(💈)遺(yí )棄(qì )さ(🏵)れた可能性がでてきた…。
“没有(😷)名(🎒)(mí(📨)ng )字(zì )的(de )我(💺)(wǒ )，没有未来的她”
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
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