ユミは夫と(📿)娘の(
ユミは夫と(📿)娘の(🈳)3人(rén )暮(🕥)らし(🏺)。近々引っ(👚)越(yuè(👸) )しを考えてい(🤕)る。ユミは娘の(🐃)レイナが時折(shé )うわ言を発す(🏭)るこ(👫)とが、少(🏧)々気(🎞)にかかっ(🎑)てい(🐗)た。転居の報告(✋)も兼ねて友人(🤜)ヒロミと久々に再(🚠)会(huì )するユ(🧘)ミ。話題はいつ(🔏)しか(🌮)「あの日(🍟)」の(💅)ことに。「(🙀)私た(🕝)ちが埋(mái )めた(🚼)時、本当に死(💖)(sǐ )んでたのかな?」。ユミは「(➡)あの(🚒)日」のこ(🍝)とを(🐳)清算すべ(🔟)く、(🍵)サエ、アコに(📟)も再(zài )会(huì )を(🦍)決意し、廃墟(xū )のような家に(🌯)一人(🎟)で住むサ(👞)エに(🕟)会いに行(🤽)(háng )く(🌃)。サエは、見知(💽)らぬ少女が現(🦊)れて娘だと言って(🌰)聞かず、し(❄)ばらく一緒に(💴)暮ら(🐌)していた(🎭)が死(⏺)んだこと(🖖)、そ(🌡)して少女は死(🤦)(sǐ )んだままそ(🗺)の家の3階(jiē )に寝かされてい(📡)ると(🍄)いうこと(⚽)を話(⏯)し出す。(C)「(🌤)黄泉(⛏)がえる少女」(💡)製作委員会
A young girl with a special gift struggles to overcome a mob boss' influence over her family in this dark Dust Bowl fantasy, inspired by Hans Christian Andersen's "The Little Mermaid."
雷(🛳)(léi )切(qiē )尔和男朋友分手(shǒu )了回(⚪)(huí )到家中发现(🏛)室友(👐)(yǒu )把她(tā(🍥) )的床(🚦)卖了,于是(🕓)(shì )她(💚)们(men )俩只能睡在(👃)一张(zhāng )床上,在某个不可描(miáo )述(shù )的夜晚个夜(🐤)晚,她(🌒)两(liǎng )之间(🥖)发生(🏍)了一些(xiē(🤛) )事情(🍠)(qíng ),蕾切尔动了(🍝)真(zhēn )情,而室友(🎭)却觉得她(tā )太黏人,两个人的友(🌑)(yǒu )谊(🤦)(yì )因同床(💐)共枕(🌲),而(ér )发生(🥓)(shēng )了(♎)微妙的变化。@橘(👭)里(lǐ )橘气译制(🍱)组
威尼(ní )斯國際電影節參展作(⌚)(zuò )品(pǐn )
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
这部电(🖐)影的(👀)故事(shì )背(👌)景(jǐ(😝)ng )让人不禁(🐕)回忆(🤐)起(qǐ )《逃(táo )出绝(🍲)命镇》。一(yī )位黑(hēi )人男性(杰森·米切尔饰)(😭)在周(🌿)末的(de )时(shí(📍) )候,因(💨)为觉得周(🎥)(zhōu )围(🃏)只(zhī )有白人朋(🌵)友所以(yǐ )觉得(❣)(dé )十分紧张。当然(rán ),这(zhè )部作品(🎃)与乔(🥒)丹·皮尔(🌆)去年(🙌)那部符合(🕊)大(dà(🧤) )众(zhòng )口味的《逃(🤚)出绝(jué )命镇(zhè(🔘)n )》不同。智利导(dǎo )演塞(sāi )巴斯蒂安(🦑)·席尔(ěr )瓦是(🌊)一个(🚨)古怪的人(👯),他(tā(🗳) )的电影如(🍑)《女仆(📯)(pú )》、《水晶仙女(🔰)》、《肮(āng )脏的婴儿》都倾(qīng )向于(yú )剑走偏锋,故事(🛎)(shì )开(♏)始会有点(🚅)怪异(🔌),而(ér )之(zhī(🐸) )后则(💤)会变得更加(jiā(👾) )怪异(yì )。这种风(📇)格对于(yú )《周(zhōu )末生日游》意味(wè(👣)i )着什(🌠)(shí )么呢?(♟)还不(⛳)知道(dào )。但(🤴)我们(🐬)非常期待这(zhè(🎺) )种(zhǒng )不确定性(👚),况且(qiě )演员(yuán )阵容中还有克里(🎵)(lǐ )斯托(tuō )弗·(❎)阿伯(🍚)特、迦(jiā(🐳) )勒兰(📖)德里·琼(🚮)斯,迈(✳)克(kè )尔(ěr )·塞(😰)拉和安·道(dào )德。
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’ and ‘Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
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