Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed? A shell shocked war veteran returns from Iraq to Detroit and finds the American Dream in ruins. Jim vanBebber is coming home - to war. 一篇报道，牵出十(🍿)(shí(🐨) )多(☝)年(💕)(nián )前(qián )文(wén )物走私大案，引来团伙头(🔳)目(🐊)石(🔵)凯（周(zhōu )雨铭(míng ) 饰）的疯狂报 复。十年(🏇)前(🚋)警(🈹)察(chá )陆建(jiàn )平(píng )（郝(hǎo )平饰）缘(🥄)何抚养(🖕)毫(🎀)无血缘关系(xì )的幼(yòu )女萱(xuān )萱(🗜)，妻(⤴)子因何(🌗)走(🥏)出家门离他而去？如(rú )今(jīn )，身(🕊)份(🍩)(fè(🕍)n )暴露的(⏭)陆建平不幸中枪，而他(tā )抚养(yǎ(🥍)ng )的(💏)孤(🍏)女萱萱(⏭)（蒋欣悦 饰）也被石凯手(shǒu )下(🥄)(xià(📊) )天(🚭)(tiā(🥑)n )哥（柴顺天 饰）绑架，命悬一(yī )线！岳(⛄)(yuè(🥉) )明(🏼)(míng )（武小渊 饰），是组织安排在其身边(👤)(biā(😯)n )暗(🔞)中(zhōng )调查保护陆的年轻警察，身负(📷)(fù )特殊(🥩)(shū(🚲) )使(shǐ )命(mìng )，他们能否成功救出人(🦔)质(🤓)，摧毁(huǐ(👿) )石(⛱)凯(kǎi )犯罪(zuì )集团，由此陆建平的(🖕)卧(🌽)底(🦐)身份公(🐸)安(ān )刑(xíng )警(jǐng )杨(yáng )树明(míng )渐渐(🛰)浮(👴)出(💞)水面，十(🅾)几年前(qián )的代(dài )号“战斧”的行动(🔥)，究(🚂)竟(✉)藏(📕)着多少不为人(rén )知(zhī )的(de )秘密？拷问(🔝)人(😒)性(🛃)，坚守忠诚，大爱(ài )无(wú )言(yán )，最后的较量(🐀)由(🚑)此(🛴)展开。 洛朗(Laurent)家是一(yī )个富(fù )裕的上(🤙)层中产(🕴)阶(🌿)级家庭。80多岁(suì )的老(lǎo )人(rén )乔(qiá(🌑)o )治(🧜)(zhì )·洛(🛑)朗(🌈)(George Laurent)逐渐陷入老年痴呆。他(tā )和两(liǎ(📈)ng )个(📠)已(🧣)(yǐ )婚的(🏊)儿女托马斯(Thomas)和安妮(Anne)一起，正不(bú(🧥) )自(🥤)(zì(🗂) )在(zài )地(🎽)(dì )分享(xiǎng )他在加莱(Calais)富丽堂皇的(🏺)庄(🎺)园(🚿)(yuá(😭)n )。离(lí )异而(ér )冷漠的安妮，不得不承受(🍨)因(👜)儿(♟)子皮埃(āi )尔(ěr )(Pierre)的(de )失职而导致的灾难性(🙂)工(🐴)作(🗡)场所(suǒ )事故(gù )的(de )影(yǐng )响。与此同时(➕)，托马斯(⛩)的(🏔)前妻因一场(chǎng )神秘(mì )的中毒而(📳)被(🤔)紧急送(😦)进(👨)医院，导(dǎo )致他(tā )13岁(suì )的(de )郁(yù )郁(💳)寡(🗑)欢(😦)的女儿(💈)艾芙(Ève)与父亲和(hé )他的(de )新婚(hū(😕)n )妻(🤧)子(😔)安娜伊(🔇)思(Anais)生活在一起。毫无疑(yí )问(wèn )，在(🍘)(zà(👦)i )这(😀)个(💌)(gè )家庭中，每个人都有不可(kě )告人(ré(👀)n )的(🚤)秘(🎼)(mì )密，而随着洛朗家的命运与持续而不(🍶)(bú(🎆) )光(🚆)(guāng )彩(cǎi )的欲望交织在一起，一种特(🛠)殊(shū )而(🌺)又(👲)(yòu )令(lìng )人(rén )不安的联盟就会形(😠)成(♒)。但最终(🖼)，有(🗞)些(xiē )更大(dà )的秘密即将揭晓…(🔻)…(🏌) A detective with some unusual qualities investigates a murder. Candice（(🐹)王奕瑾(🥊)(jǐn )饰演(yǎn )）去(qù )东(dōng )京拜访家(🙉)族(💍)的(⚪)合作伙(🕣)伴，进行(háng )商务(wù )之旅(lǚ )同时，好(🏨)奇(🙋)心(🍤)重(🍛)的她为已逝世16年的(de )叔(shū )叔(shū )找(zhǎo )寻(⛪)旧(😿)(jiù(🌶) )爱Joyce(朱永菁饰演)。然而，Joyce当(dāng )天却(què )没有(yǒ(🍄)u )依(🚃)约(😐)在东京铁塔出现。Candice置身在语言文(wé(🥠)n )化(huà )陌(😁)(mò(🚡) )生的环境，不仅迷失在东京街(jiē(🍵) )头(🗃) ，面(miàn )对(🎎)(duì(🤯) )人事已非的东京，对于寻人任务(🔠)是(🤣)否(🐭)(fǒu )能完(🕢)(wán )成更是没有把握。当Candice终于克服(🎿)(fú(🎸) )重(🎲)重(chóng )困(😀)(kùn )难(nán )与(yǔ )Joyce见面。Candice满足了刺激人(🔤)生(🏂)的(🔲)渴(🔽)望(wàng );然而(ér )，她(tā )所追求的刺激，却在(💖)Joyce平(🔑)静(👓)的人生投(tóu )下(xià )一(yī )颗(kē )震撼(hàn )弹... 成(⌚)长(🐝)中(😡)父母也在日渐变(biàn )老，我们(men )会把这(🔲)样或那(📭)样(🔸)的无奈当做借口，而(ér )忽(hū )视(shì(👞) )他(🚾)们的心(🍩)理(🔸)或身体的健康状况(kuàng )，当(dāng )问(wè(⤴)n )题(🐽)(tí(🌍) )严重时(🛺)我们又会悔恨自己的冷漠和粗(🕜)(cū(🌃) )心(💍)，孩子和(🍹)父母之间永远存在一种(zhǒng )不公(💨)(gō(🗝)ng )平(🤴)(pí(😲)ng )，而(ér )这种不公平却又以一种不协调(📪)(dià(⏭)o )的(🎆)姿(zī )势，却又很和谐的存在着……… 沿(😓)海(🚽)小(🆕)(xiǎo )镇(zhèn )，威(wēi )廉和(hé )大角两兄弟率(🚺)领的两(⬛)大(🐶)帮(bāng )派——白(bái )边，黑边长期盘(👬)踞(🕠)于此。小(⛏)镇(🅿)青年不(bú )，本(běn )身只(zhī )是一个暗(🌸)恋(🚣)邻(😂)家女孩(🍏)汐却(què )不敢(gǎn )表白(bái )，开着咖啡(🎅)厅(🔆)混(🛸)日子的(🖤)小人物，却因(yīn )自己(jǐ )的好兄弟(👽)三(🐛)尺(🛏)介(🕹)入帮派斗争，在与(yǔ )白(bái )边(biān )中神秘(🈵)冷(🏾)美(🎏)人兰、好战的风、狠(hěn )辣的(de )大角(jiǎo )哥(🏞)的(🐚)较(⛓)量中，不的战斗热血和战斗(dòu )天(tiān )赋(fù )被(🗞)(bè(👚)i )强势激起，一发而不可收。然(rán )而接(🕛)(jiē )下来(🧣)(lá(🏫)i )，汐的暧昧与伤害，帮派斗争的升(💳)级(🏬)(jí )，与(yǔ )冷(😘)美(měi )人兰灵与肉的纠葛，兄弟(dì(😕) )三(🐈)尺(🎴)(chǐ )的困(🐃)(kùn )境，让本无心江湖的不必须挥(🤰)动(🤫)拳(🥝)头(tóu )杀出(chū )重重包围。 Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.