從高峰滑(🍂)(huá &
從高峰滑(🍂)(huá )落谷(🛥)(gǔ )底，比(🛺)從未風(💳)光過(🖋)更(☕)難受？(🤤)前曼(mà(🐴)n )聯球星(🥫)簡東拿(♓)變身潦(🤣)(liáo )倒過(😻)(guò )氣藝(🔤)(yì )術家(🌷)尤(🐅)利西(🎱)，那(😨)種時(🎁)不(🐩)我與(🐵)(yǔ(🆚) )的虛(🦗)空(😽)落寞盡(🔋)在(zài )眉(📭)宇(yǔ )間(🖖)。藝術(shù )學生蒙娜欲拜他為師，反過(guò )來成了他重生的(de )希望(wàng )。發(fā )現身(shēn )患絕症後，他由蒙娜作(zuò )伴，走出隱居大宅，尋訪(fǎng )當年(nián )被他離棄的弟弟及妻兒，坦(tǎn )白致(zhì(💟) )歉望求(🎁)寬恕。感(📣)(gǎn )性(👣)而(🎶)(ér )不感(🥃)(gǎn )傷，碧(🏎)巴達以(🔏)不慍不(🍼)火的圓(💅)(yuán )熟技(♓)巧呈現(💱)破碎人(🍫)生(shēng )的(🦒)悲(🕟)(bēi )喜(😌)，冷(♏)不防(❗)遇(🤭)上慌(🚥)失(👈)失劫匪(🏳)來個(gè(🎬) )黑色幽(💏)默，也未(🎇)(wèi )忘留(liú )下孩(hái )子的(de )善良，溫潤人間。
ユミは夫(fū )と娘の３人暮らし。近々引っ越しを考えている。ユミは娘のレイナが時(shí )折うわ言(yán )を発することが、少(🌅)々気に(👾)かかっ(🔖)てい(🥓)た(🚓)。転居(jū(🍎) )の報(bà(🧖)o )告も兼(🅿)ねて友(💔)人ヒロ(🆘)ミと久(🗺)々に再(💐)会する(😐)ユミ。話(🎓)題(🦒)(tí )は(🉑)い(🎩)つし(🔲)か(👵)「あ(🐮)の(🏳)日」の(🤽)ことに(🐦)。「私た(🉐)ちが埋(🔼)めた時、本当(dāng )に死(sǐ )んでたのかな？」。ユミは「あの日」のことを清算(suàn )すべく、サエ、アコにも再(zài )会を決意し、廃墟のような家(jiā )に一人で住(🏎)むサエ(📢)に会い(🌂)に行く(🏙)。サエは(🚣)、見知(🙈)(zhī )らぬ(🧙)少女(nǚ(🅾) )が現れ(🎓)て娘だ(🔭)と言っ(🎿)て聞か(⏬)ず、し(🕷)ば(🅾)らく(🏭)一(🛬)緒に(🥗)暮(🚴)らし(🤼)て(🤵)いたが(🌧)死んだ(👱)こと、(💾)そして(🏈)少女は死んだままその家(jiā )の３階に寝かされているということを話し出す。(C)「黄泉(quán )がえる少女」製作委員会
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
“没有(yǒu )名字的我，没有(yǒu )未来(lái )的她(tā )”
“我(🕋)的一生(🚀)中只害(🏨)怕一件(🕶)(jiàn )事，就(😜)是有一(🐴)天，黑(hē(🍎)i )色会(huì(🐏) )吞没(mé(🦎)i )红色。”
拉(😩)敏，一个(🦁)在墨西(📻)(xī )哥的(🎡)伊(🥄)朗移(🈶)民(💰)，背负(🤲)(fù(🐜) )着他(😥)(tā(🔯) )的过(guò(🕞) )去：字(😉)面上，以(🆎)韦尔斯(💀)(sī )的形(xíng )式。在Luci_rnagas，一个Skype对(duì )话显(xiǎn )示他(tā )已经(jīng )把他的男朋友留在土耳(ěr )其了(le )。
The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.
Paraíso Perdido é um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentações musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a segurança do jovem talento Ímã (Jaloo), neto de José e alvo frequente de homofóbicos, e aos poucos o laço entre o agente e o clã de artistas românticos vai se revelando mais e mais forte - com nós surpreendentes.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
東京國際同志影(yǐng )展參(cān )展作品
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