“NO BORDER 2D×(🥩)3D” を(📣)キャッチフレー(🚜)ズ(🔱)に(😯)掲げ、2Dと3Dの境目を(😶)な(🏓)くすクリエイティ(🐕)ブ(💜)な(🙅)活動を目指す３(📛)DCGプ(🔇)ロ(🥚)ダクション“Picona Creative Studio”。本作(📺)は(🚗)ど(📤)んなものでも捨て(😤)て(🤟)みせるゴミ捨(shě )て(💛)屋コンビと、魔法を(🧜)捨てたい魔(mó )女(nǚ )が(📛)繰り広げる(🔥)、ファッション× ポ(🔕)ップ× アニメをキー(😆)ワードに魔法と科学(⛰)を絡(luò )み合(hé )わせた(🤸)ス(❔)ラップスティッ(🕧)ク(😡)・(🌗)アニメーション。同(🤲)社(🦖)が長年温めてきた(🐻)オ(🙂)リジナル企(qǐ )画が(🙍)、(😚)つ(📝)いに実現！ 《驴(lǘ )为(💭)媒(😃)(mé(✒)i )》故事发(fā )生在当下(👷)鲁(🥏)西大地上的聊城市(📲)(shì )，讲述(shù )的是在京打(💴)拼多年的有志青年，得(👴)(dé )知(zhī )老(lǎ(🚤)o )家惠民政策后，回乡养(🍛)驴、带领(lǐng )村民(mín )脱(🏵)(tuō )贫致富(fù )，实现自己(🎆)创业梦，并赢得爱(ài )情(🦀)(qí(🥗)ng )的故(gù )事(shì );讲述(⏱)了(⛄)党(🐪)的精准扶贫政策和(🐆)乡(🧣)(xiāng )村(cūn )振兴(xìng )战略(🌠)在(🗻)齐鲁大地的生动实(⏳)践(🚄)，展(🍈)(zhǎn )现了(le )基(jī )层党(🧛)员(🛌)(yuá(📎)n )干部在全面建成小(🐣)康(😾)社会(huì )进程(chéng )中(zhō(📙)ng )的“主(zhǔ )心骨”形象。电影(🎱)《驴为媒》坚(jiān )持“小成本(🏉)、大情怀、(👂)正能量”的创(chuàng )作(zuò )宗(🌠)旨(zhǐ )，紧扣当前乡村振(🕶)兴和精准扶贫(pín )主题(🈲)(tí )，将社会(huì )效益、价(🧞)值(🐋)引领放在首位，引(🍳)(yǐ(🥢)n )导(🚼)(dǎo )人们(men )努(nǔ )力实现(🏉)个(❇)人前途与国家命运(🥔)、(🚍)个(gè )体经(jīng )历与时(📚)代(🦖)大(😷)潮、个体情感与(🍱)国(📯)家(🥘)(jiā )情感(gǎn )的(de )同频共(😠)(gò(🏵)ng )振，激励人们向上向(🌈)善，自觉(jiào )践(jiàn )行社会(🎿)(huì )主义核心价值观，讴(🚖)歌党、讴(ō(🌥)u )歌(gē )人民(mín )、讴歌新(🤴)时代。 在贝鲁特一个街(😍)(jiē )角(jiǎo )的咖(kā )啡店二(👩)楼，有一面大大的转角(🤫)窗(📕)(chuāng )和一(yī )台(tái )电(🔥)视(💤)机(🈳)(jī )，一位78岁的退伍将(💌)军(🏈)和一位81岁(suì )的(de )退伍(😏)(wǔ(🎐) )军(jun1 )医每天早上都会(🌊)在(🃏)这(🚭)里碰面，看(kàn )着街(🎻)(jiē(😕) )角(🥨)车来人往，做着填字(🖱)游(😏)戏，以(yǐ )此对(duì )抗(kà(😍)ng )阿茨海(hǎi )默综合症。伴(🐜)随两位老人(rén )的玩(wá(🗼)n )笑(xiào )和字谜(🦊)(mí )，咖啡馆的顾客纷纷(💃)登场。本(běn )片(piàn )用发(fā(🦅) )生在一个社会小角落(🚫)16天之内的一(yī )系(xì )列(🚩)事(🤬)(shì )件，四两拨千斤(💇)地(👖)讨(🤾)论了人生、政治(zhì(🔤) )、(✝)历史等(děng )话题；通(🆑)过(🐡)单场景多幕剧的结(🍌)(jié(💮) )构(🏃)(gòu )让人(rén )感(gǎn )受(🐨)到(🔌)老(🍭)人们的孤独，以及疾(🌪)病(🌒)(bìng )带(dài )来的(de )苦涩，同(🕵)时(🏀)映射出黎巴嫩暴力(🚬)事(shì )件肆(sì )虐(nuè )的现(👮)状(zhuàng )。以小见(🛹)大，令人回味。 A young couple picks the wrong hideout while trying to elude the police. The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house. Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. “没(méi )有(yǒ(🥎)u )名字的(de )我，没有未来的(🤑)她” 这部电影(yǐng )的(de )故事(🐟)(shì )背景让人不禁回忆(🔴)起(🚜)《逃出绝命(mìng )镇(zhè(🍩)n )》。一(💮)位(🐻)黑人男性（杰森·(🍰)米(🏁)切尔饰(shì )）在(zài )周(👢)(zhō(🚕)u )末的时(shí )候，因为觉(😸)得(💪)周(🚩)围只有白人朋(pé(⚓)ng )友(💎)(yǒ(💥)u )所以觉(jiào )得十分紧(♉)张(🛳)。当然，这部作品(pǐn )与(♈)(yǔ(👯) )乔丹(dān )·皮尔去年(📩)那部符合大众口味的(👊)(de )《逃(táo )出(chū )绝(🔇)命镇》不同。智利导演塞(👓)巴斯(sī )蒂安(ān )·席尔(💖)瓦(wǎ )是一个古怪的人(🚄)，他的电影如(rú )《女仆(pú(⛷) )》、(🚁)《水晶仙女》、《肮脏(🛒)的(🤕)婴(🏪)(yīng )儿(ér )》都(dōu )倾向于(🗺)剑(🔛)走偏锋，故事开始会(⏲)有(🤥)(yǒu )点怪(guài )异(yì )，而之(😍)(zhī(🙂) )后(🏼)则会变得更加怪(♊)异(🌚)。这(💯)种风(fēng )格(gé )对于《周(🆚)末(✈)生日游》意味着什么(⏹)呢(🦎)？还(hái )不知(zhī )道。但(🕛)我们非常期待这种不(🏃)确定(dìng )性，况(🍀)(kuàng )且演员阵容中还有(🏸)克里斯托弗·阿伯(bó(⭐) )特(tè )、迦勒(lè )兰德里(🐥)·琼斯,迈克尔·塞拉(🛳)和(💢)(hé )安(ān )·道(dào )德(🐿)。