“没有名(míng )字&#
“没有名(míng )字的(de )我，没有(🥧)(yǒ(🐿)u )未(🌋)来(🦒)(lá(🍘)i )的(🤽)她(🐐)”
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
阿(🔡)黛(🤐)尔(🥦)(ěr )和她的母亲孔查(chá )生活在城郊的(de )一个贫民窟里(😗)(lǐ(🕒) )。孔(🔑)查(🕵)的(👐)丈(🏗)夫(🏬)(fū(🎯) )是(🚎)个(🛶)(gè(🚆) )可(🛸)恶(🕑)的(🖊)暴(🐾)(bà(🍁)o )徒，他使母女俩长(zhǎng )期生活在暴力和(hé )虐待之中。对(duì )此忍无可忍的(de )孔查决定不顾(gù )一切风险，偷(tōu )走一(yī )大笔钱，并带(dài )着女儿阿黛尔逃(táo )离。不幸的是(shì )，她们在出逃(táo )中被发现了。在追捕过(✨)程(🛒)中(🏞)(zhō(👊)ng )，孔(🎓)(kǒ(👗)ng )查(🌃)却(📦)意(🐖)外(wài )地驾(jià )车撞死了丈夫(fū )……这场逃离注(zhù )定是(🧖)一(🥖)次(🥀)冒(🌨)险(📅)(xiǎ(🤜)n )，而(💉)母(🛥)女(🤗)俩(🛍)竭(🌴)(jié(🍢) )尽(💐)全(😦)力(🕤)，才能(néng )挣脱(tuō )一直禁锢(gù )她们(men )的牢笼。在这(zhè )段跨越生命的寓(yù )言中，力量、困难、爱的希(xī )望、机会和死(sǐ )亡如影随形。
本故(gù )事讲述的(de )是上(shàng )世纪90年代末发生在陕西关中农(nóng )村的童年(🎚)故(😞)事(🐜)(shì(🚃) )。在(🔣)以(🐜)成(🐮)绩(🖐)高(🏩)(gāo )低作为评判学(xué )生好(hǎo )坏的环境(jìng )中，小学生巴王(🤱)超(🤪)(chā(🥖)o )过(🎺)在(🚈)老(🏩)师(🤙)与(⛴)家(🕘)长(🆙)(zhǎ(🏙)ng )的(🍻)眼(🌓)中(🔍)是(🍿)那种(zhǒng )不学无术的“渣滓”。得不(bú )到家(jiā )长和老师(shī )认同(tóng )的巴王超过，将田野里一棵可(kě )以栖息的大树(shù )变成了自己的(de )“好地方”，并将所有“好(hǎo )玩”的东西都(dōu )藏在(zài )了那棵大树的上面。孩子的(❌)天(🌍)(tiā(🏒)n )性(🚱)，让(🕣)巴(📉)王(🔱)超(⏰)(chā(👔)o )过与成人世界(jiè )充满了斗争，直到(dào )有一天，他的(de )处境(🔬)因(✴)为(🙏)前(🍾)来(🍴)(lá(♈)i )支(👳)教(🔲)的(🦔)粉(🌀)提(🤭)老(😍)师(💗)(shī(💱) )而(😑)改(👭)变了！粉(fěn )提老师让他负(fù )责班级里的图(tú )书管(guǎn )理员，同(tóng )时他(tā )也与女老(lǎo )师成(chéng )了好朋友，他的(de )“好地方”也(yě )成了女老师的(de )“好地方”。然而好景不长(zhǎng )，他(tā )在粉提老(lǎo )师面(miàn )前特殊的待(🏮)遇(🏩)，又(🈷)因(📵)为(🐫)粉(🎉)提(🕎)老(🍮)(lǎ(💜)o )师的男朋友的(de )到来而改变了(le )……
收到媽媽(mā )從山(shā(✖)n )上(🎐)寄(🕯)來(🧞)的(〰)(de )蜜(📴)蘋(🐮)(pí(🍑)n )果(🌓)，小(✨)月(📏)計(🔎)算(🎎)(suà(🏹)n )著(🔽)，媽(🗓)媽已經在(zài )外工作許久了(le )，媽媽的搖籃(lán )曲總是在耳邊(biān )呼喚(huàn )著。『你(nǐ )媽多(duō )久沒回來(lái )了？』是小月（13歲）與碧艷（15歲）兩個小女孩彼(bǐ )此關心的話語(yǔ )。
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It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
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