本作剧场版于2018年10月(yuè )27日在日本(běn )上映。本(🍒)作(zuò(🚪) )为光(🏯)之(zhī(🌮) )美少(👁)女系(🚆)(xì )列(🎽)的15周(💛)年纪(🍄)(jì )念(🧘)电影(🚒)，作中(🌲)《光之(🍵)美少(📰)女(nǚ(⛩) )》（初代(dài )）及其之后直到《KiraKira☆光之美(měi )少女 A La Mode》的历(lì(😉) )代成(⛅)员(yuá(🌁)n )的成(🚳)员将(🆗)(jiāng )会(🐺)与拥(🔫)抱！光(📺)之美(🖇)少女(🌗)的成(🚯)(chéng )员共同演出(chū )，就某种(zhǒng )形式而言也算是“ALL Stars!”系列的(de )再复活。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
故(gù )事讲述(shù )一名从医(yī )二十多年的(de )心理医生(shēng )，发现无数人由于(yú )怨(⛷)恨、(😸)沮(jǔ(💠) )丧、(🕚)抑郁(🐦)、焦(🔋)虑等(📋)(děng )负(👁)面情(✖)绪(xù(🍰) )影响(♓)，而使(💿)(shǐ )自(😠)己偏(🔆)离了社会(huì )生活规范的(de )正常轨道(dào )，乃至自杀或是杀(shā(🧜) )人。心(👃)理(lǐ(👃) )医生(🚫)跟患(🔁)者(zhě(🎼) )徐...
Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où(⏬) elle découvre que son fils ché(🎺)ri, Arthur, 9 ans, est le bouc émissaire de trois garç(🕹)ons de son école. Fanny ne laissera pas seul son fils face à(🏅) ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourrés et pièges de cours de récré, désormais ce sera "oeil pour oeil et dent pour dent".
多(duō )摩湖のほとりで男(nán )性の遺体(tǐ )が発見された。遺(yí )体の身元(yuán )は、株式会(huì )社橋本商事の社(shè )長である橋(qiá(👅)o )本圭(🖤)一（(🤩)山上(😎)賢治(🔖)）と(🆑)判明(🕧)(míng )。死(🤗)因は(👋)頭が(😋)い骨(😭)の骨(💯)折に(🎻)よる(🐏)失血(xuè )死で、後頭(tóu )部を鈍器のようなもので殴(ōu )打(🍍)され(✌)てい(🐫)た。身(♌)元確(😎)認に(💥)来た(👦)社員(🖌)(yuán )の(🕦)伊藤(🏦)（浅(qiǎn )香航大(dà )）によると、橋本は最後の電(diàn )話で、兵庫の「丹(dān )波篠山」にいると言っていたという。遺体が発(fā )見された東(🚠)京の(🚸)多摩(🐡)湖か(🕐)らは(🕘)距離(🏷)があ(♿)るこ(🔸)とか(🛠)ら、(🍾)別(bié(📘) )の場(⤴)所で(🎆)殺害(🕢)された後に遺(yí )棄された可能性がでてきた…。
上集(jí(🌆) )提到(🚒)，济公(🍛)(gōng )联(💇)同各(⌛)路(lù(🛒) )英雄(🏰)联盟(🗺)，又一(🉐)次(cì(🔒) )化解人间(jiān )浩劫，但凡(fán )间并没(méi )有得到安(ān )宁，战事纷(fēn )争仍然不(bú )断。高人杰将军乃(nǎi )朝廷名将(jiāng )，参与大大小小胜(shèng )仗数十场(chǎng )，立(🏾)下不(💓)少(shǎ(😌)o )汗马(😄)功劳(🌒)，被视(🔃)(shì )为(🗻)民族(📖)英雄(♊)(xióng )！
一(🏻)名参(👙)(cān )加(💣)过一(🌽)战的(🔌)退伍军(jun1 )人被派往(wǎng )库塔那德担(dān )任邮差(chà )，负责给(🚥)(gěi )服(♍)役士(🚹)兵的(🖇)(de )家属(🤦)递送(📉)补助(🦌)金(jī(🥎)n )及信(🐟)件。随(💜)(suí )着(🐙)第二次(cì )世界大战的爆发，他的身份(fèn )逐渐发生了(le )变化，从送钱之(zhī )人变为了报(bào )丧之人。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
