From the rough
From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
時は(🍐)安土桃(🐉)山時代。忍びの(🚯)郷を抜(😔)けた篠(17)は、追(💥)手から(🎼)逃(📬)走(zǒu )する際に2015年に(🌵)タ(🧟)イムスリップして(🌍)し(👰)まう。
重口味血腥(xī(🏺)ng )恐怖片(piàn )。一场入室绑(🥐)(bǎng )架迫(🏰)使两位少年闯(🗨)入(rù )一(🛵)(yī )个偏远的乡(🥤)(xiāng )村宅(🏇)邸(dǐ )，偷窃顶级(🐱)机(jī )密(🙎)文(🥔)件(jiàn )。他们不知道(dà(🆑)o )的(🏼)是，那所富丽堂皇(huá(🏨)ng )的(de )旧宅邸也是(shì )一群(👑)位(wèi )高权重的中年(niá(🔰)n )人的集(🤺)合地，那些中(zhō(🛩)ng )年人穿(💏)着尿布，故意(yì(🌽) )放(fàng )纵(🌥)地(🌦)陷入护(hù )士主题(tí(🍏) )的(🔰)性奇想，以(yǐ )便躲避(👹)生(😰)活压力。或(huò )者这场(👩)奇怪的集会意(yì )欲(yù(😘) )通过阴(🕙)险的(de )病态的(de )畸(🏘)形的的(🍼)方式(shì )为全球(🛄)经济补(🈷)充能量(liàng )…
古(🕞)代有一(👐)伙(🛁)劫富济(jì )贫(pín )平乱(🅰)为(🍶)民的(de )正义强(qiáng )盗，与(❄)一伙无(wú )恶不作的海(🎈)盗，共同(tóng )得(dé )知一条(⌛)关于(yú(📡) )宝藏的(de )消(xiāo )息(🏅)，但想找(📡)(zhǎo )到宝藏必须(⚽)要找到(🤧)一(🏒)(yī )位女孩，藏宝图与(♟)开(🎷)(kāi )启(qǐ )宝藏大门的(📪)(de )钥(🔇)匙在(zài )女孩的手中(🎺)，但女孩在多年前已经(🙌)(jīng )消失在那个世界，传(🐮)(chuán )闻(wé(🧚)n )是穿越到了(le )另(🗡)一个(gè(🍒) )时代。
出租车(chē(😢) )司机栗(📁)花(⤵)的丈夫因车(chē )祸(huò(💌) )去(🅿)世。栗花与儿子(zǐ )张(🐘)(zhāng )明明的关系(xì )紧张(➿)，为得到儿子的(de )承认，她(🍜)决定做(💿)儿子(zǐ )崇(chóng )拜(✉)的英雄(🏗)。她化身(shēn )出(chū(📸) )租女侠(🈺)惩(⬆)恶(è )扬善，无意中招(🔈)惹(🗯)了(le )贩卖人体器官的(🚏)组(🔸)织(zhī )。栗花最终打(dǎ(🧠) )败邪恶(è )组织，成为儿(💢)(ér )子敬爱的母亲。
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