鲁妮(🍱)·玛(mǎ )拉加盟布(🙊)拉迪·科(😁)(kē )贝特执(⛷)导的(de )新片《光(💒)之声》(Vox Lux，暂译(😾))，格莱美提名(🤩)(míng )女歌手(⛅)(shǒu )Sia将为该片创(chuà(🧘)ng )作歌曲(qǔ(🛅) )。新片将采(🎣)(cǎi )用65毫米(mǐ(🐙) )大格式胶(🦅)片(piàn )拍摄、70毫米(🐚)大格(🏳)式(shì )胶(jiā(🍼)o )片放映(🍇)。故事讲(jiǎ(🔑)ng )述(shù )从1999年(🖇)至现在十余(💫)(yú )年(nián )间(🤭)，一个经历动(dòng )乱(🔒)浩劫的女(😗)人如(🐠)何(hé )摇身一变成(🦃)了(le )超级明(🐯)星。影片将(jiā(🐑)ng )于2017年2月开(🔉)拍。
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’(🎂)s nothing to worry about.
本片撷(xié(🏈) )取(qǔ )了发(🤜)生在中国北(👀)(běi )方(fāng )小(👞)城镇中一(yī(🚔) )个中国(guó(🖍) )青年出狱后(hòu )的(🕙)一段(duàn )人(🔻)生经历，讲(🍃)述了(le )一个小(⛅)人物(wù )在(🎋)商品(pǐn )经济的大(💱)潮(chá(🐠)o )中与时(shí(👕) )代的隔(🐩)离，以及人(🕠)(rén )们对金(🙎)钱的(de )崇(chóng )尚(🐮)和理想、(🎞)道德(dé )的(de )流失，对(📐)社会与(yǔ(🔳) )人(ré(🥤)n )性作出了深度拷(😗)(kǎo )问。尤其(🚱)是本片以(yǐ(⤴) )中国农历(🙀)冬季(jì )的四个节(🧦)气作为篇(🌅)(piān )章，具有(🙅)强烈的中(zhō(🌘)ng )国文化符(🚏)号视觉(jiào )。
Skilled at killing, but not so skilled at living, Sammy Cohen, a French and London-based assassin, accidentally kills his fiancé(🏬), who happens to be the daughter of an Israeli gangster. qiwan.cc Forced to flee, he ends up in Copenhagen, where he starts working with a former mercenary and together, they travel all over Europe, doing the dirty work on behalf of a rich industrialist.
《被遗忘的(🤽)季节(jiē )》是一部惊(🕘)(jīng )悚片，讲(🌺)述了一个(🖲)(gè )平凡的(de )人(👲)在成为杀(🧛)(shā )人犯的(de )过程中(✋)出现(🐲)(xiàn )的互助(⛵)(zhù )、放任等人(ré(🧦)n )类心理(lǐ(🌳) )。将平凡而(é(💍)r )又寒心的(🕍)无业游民(mín )设(shè(🏐) )定为犯人(🔢)，将弟(dì )弟(dì )设定为充(⬅)满出人(ré(📍)n )头地欲望的(💳)记者，将偶(⏳)发性的一次杀人(🚖)与另一个(⚾)个(gè )人的(🎠)欲望相遇，如(🎠)(rú )何演变(🍊)成连环杀(shā )人(rén )，平凡(🍘)的犯人为(wéi )什(shí(🛩) )么成为怪(🖍)物。
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
1928年7月(yuè(㊗) )，国民党第(dì(⏭) )十二军(jun1 )军(💫)长孙殿英(yīng )以军(🐄)事(shì )演习为名(📯)，秘密挖(wā )掘了清(🧛)东陵(líng )慈(🤾)禧墓(mù )和乾(🕉)隆墓，盗窃(😗)了(le )无数的稀世(shì(🎮) )珍宝，但这(🎴)些财宝(bǎo )下(xià )落不明(😓)。据民间(jiā(💂)n )传(chuán )说，孙殿(💨)英将部(bù(🕺) )分财宝贿赂给了(👵)上(shàng )司徐(👆)源泉，徐源(🐅)泉便将财宝(😷)埋在(zài )了(🏤)自家公馆的地下(xià )秘(🐞)室中。文革期(qī )间(🍁)(jiān )，有人在(🔲)武汉新(xī(🏖)n )洲(zhōu )徐公馆(🥦)附近挖出(👬)了(le )不少枪支军(jun1 )备(🗼)，结(jié )果有关徐(🛴)公(gōng )馆藏有(yǒu )巨(🎰)宝的说法(🎉)(fǎ )不胫而(é(🍤)r )走。影片以(💔)(yǐ )武汉新(xīn )洲仓(👎)埠古镇(zhè(🛒)n )徐源泉(quán )将军的古宅(📏)(zhái )及密道(🚕)为依托，首(shǒ(👾)u )次(cì )通过(🗄)影片的形式(shì )向(🍗)(xiàng )世人公(🏴)开此历史(🗻)(shǐ )文化古迹(📑)。考古专(zhuā(🗺)n )业毕业生雪莹跟随考(🤯)古专家古(🚠)莫(mò )教(🛂)授等人进(🍫)入徐公(gō(🦂)ng )馆考古，考古(➖)队(duì )在(zà(❣)i )古宅的地下秘道(😸)(dào )内(nèi )发现一(🐻)件宝物，宝(bǎo )物在(✖)押送途(tú(👍) )中被匪(fěi )徒(🕜)抢走，之(zhī(🤹) )后教授(shòu )等人与(🐸)男女(nǚ )神(🍫)偷、国外文物团(tuán )伙(🎿)尤大(dà )等(🕌)人激烈争(zhē(🛵)ng )夺，宝(bǎo )物(👱)丢失后，匪徒陆续(🎶)遭受报应(🏒)(yīng )，并出现(📯)系列离奇(qí(👷) )死(sǐ )亡事(💢)件，一场正(zhèng )义与邪恶(📥)的较量由(🕋)(yóu )此开(💃)始......
麦昆本(🐃)想给女友(🙂)来一场创(chuà(🗑)ng )意十足的(👱)求婚，但(dàn )在毫无(🎭)预兆的情(qíng )况(🍎)(kuàng )下结束了一场(📯)轰(hōng )轰(hō(🤷)ng )烈烈的爱情(🌔)，结局(jú )悲(🍸)惨而可笑(xiào )……(⏫)在(zài )经历(🌹)过失恋(liàn )博物馆(guǎn )中(🕒)的种种“失(🕖)败”后，麦昆放(🏭)(fàng )下了，觉(🉑)得那段失(shī )败的(🥇)爱(ài )情反(🚓)而激励(lì(🏣) )了自己，让自(💂)己学(xué )会(😩)(huì )了如何去爱一个(gè(😱) )人(rén )，用什(🙇)么样的(😸)方(fāng )式让(🤼)双方相处(😮)，也(yě )明白了(👾)自己该选(🍕)择去爱一个什么(😺)(me )样的女孩。
遭到(🗄)友(yǒu )人設局而欠(🖌)下大(dà )筆(❗)(bǐ )債務的張(🐷)父，逼(bī )不(🤖)(bú )得已帶著一家(💢)四口(kǒu )承(👋)租花蓮的(de )一處 凶(xiōng )宅(🗃)，此處過(guò(🛵) )去曾發(fā )生(⚡)了駭人聽(🚱)(tīng )聞的五(wǔ )子命(🧣)案。初(chū )入(✳)凶宅(zhái )的(💠)當天，一(yī )些(🤙)若有(yǒu )似(👠)無鬼影幢(zhuàng )幢，加上張(🕗)父突如(rú(🗡) )其(qí )來(🧑)的搬家舉(😴)動，惹(rě )的(😾)張母與大姊(🍏)心(xīn )裡不(🍦)愉快。即使向(xiàng )張(🦂)父抱怨，鐵齒的(🥛)張父以一貫不(bú(🎯) )信鬼神的(🕳)態度，予(yǔ )以(🍣)拒絕。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
