regina

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

本片(🐿)讲述了(🖕)(le )女(nǚ )主(🈸)角之间的(💹)竞(jìng )技(🍒)对(duì )决(🌱)(jué )和爱情(🆒)纠葛的(🧒)(de )故事(shì(📽) )，在生与死(🔐)、爱与(🦇)恨(hèn )、(🥌)真相与谎(🦓)言中她(🛌)们(men )所发生的不可思议(yì(🙎) )的(de )人生(shēng )转变。

On a trek to find the world's rarest tree, Dylan and his friends descend into harsh ravines and canyons. As the wilderness closes in on them they come face to face with hard truths about friendship, unrequited love, and the consequences of letting go of the past.

阿(ā )黛尔(🔊)(ěr )和她的母亲孔查(chá )生(😑)活(huó )在城(🌝)郊的一个贫民(📦)窟(kū )里。孔查的(🤖)丈夫是个(🏆)(gè )可恶的暴徒(💴)，他使(shǐ )母(💊)(mǔ )女俩长期生(🔸)活(huó )在暴(🌹)(bào )力和虐待之(🌥)中。对此(cǐ(🛬) )忍无可(⛺)忍的孔(🧞)查决定(dì(👗)ng )不顾一(🚤)切风险(✂)，偷(tōu )走(zǒ(😋)u )一大笔(🎟)钱，并(bì(👐)ng )带着(zhe )女(nǚ(❓) )儿阿黛(🔉)尔逃离(lí )。不(bú )幸(🆓)的是，她(💣)们在出逃(táo )中被发现了(🥫)。在追捕(bǔ )过程中，孔查却(📻)意(yì )外(wài )地驾(jià )车撞死(🕴)了(le )丈夫(fū(🚆) )……这场逃离(📭)注(zhù )定是(shì )一(🤷)次冒险，而(🐉)母女俩(liǎng )竭尽(🐧)全力，才能(🎤)挣脱(tuō )一直禁(🦅)锢她们(men )的(🎗)牢(láo )笼(lóng )。在这(🈳)段跨越(yuè(⏰) )生命(mì(🌘)ng )的寓言(🌙)中，力量、(🕝)困(kùn )难(📨)、爱的(🏾)希望、机(⤵)会(huì )和(🐘)死亡如(⛔)影随形。

该(🎳)(gāi )片改(💶)编自脱北(běi )女性(🐆)(xìng )的(de )真(💧)实故事，讲(jiǎng )述的(de )是抛开(🕝)家人，逃往韩(hán )国的母亲(🚤)与憎恨自己(jǐ )的儿子在(🔮)16年后重逢(féng )的(de )故事。

ユミ(🥦)は夫と娘の３(🌭)人暮らし(✉)。近(jìn )々引っ越(💈)しを考え(💴)ている。ユミは(➡)娘のレイ(👂)ナが時折うわ(🕖)言(yán )を発(🔇)するこ(🎽)とが、(👶)少(shǎo )々気(🎶)にかか(🔰)ってい(🏈)た。転居の(🏺)報告も(👘)兼ねて(🦇)友人ヒロ(🐃)ミと久(🍥)(jiǔ )々に再(zài )会するユミ(🌁)。話題はいつしか「あの(♑)日」のことに。「私たち(😂)が埋めた(🏚)時、本当に死(😤)んでたのかな？」。ユミ(😄)は「あの日」(😽)のことを(💮)清(qīng )算すべく(🐔)、サエ、(⏯)アコにも再会(🛌)を決意し(🤙)、廃墟のよう(🦂)な家(jiā )に(🤛)一人で(🤤)住むサ(🔬)エに会い(💥)に行く(🦇)。サエは(🤼)、見知ら(🕤)ぬ少女(❌)が現(xià(💢)n )れて娘だ(🍳)と言っ(🛺)て聞(wén )かず、しばらく(💛)一(yī )緒に暮らしていた(🔐)が死んだこと、そして(⛅)少女は死(🈸)んだままその(👒)家の３階に寝かされて(🍲)いるというこ(🌻)とを話し(🙀)出す。(C)「黄(huáng )泉(🧘)がえる少(🕟)女」製作(zuò )委(🕚)員会