The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'
在社(🔯)会主义(yì )道路上(🌑)，中(zhōng )国公(🛳)路的发展和(hé )人(🗝)民命运紧(🦑)(jǐn )密相(🥁)连的。《大路(🍀)朝天(tiān )》以四川公(📜)(gōng )路建设(💑)为切(qiē )口，以成雅(🏉)高速(sù )、雅西高(🐴)速(sù )、雅(🏅)康高速(sù )建设为(🦀)题材(cái )，通(🌠)过讲述(☔)(shù )祖孙三(🐰)代路(lù )桥工(gōng )人(🖲)伴随改革(🈴)(gé )开放40年经历(lì(🍽) )的命运和(🎵)情(qíng )感(⭐)故事，折(shé(❎) )射出时代发(fā )展(🈹)与变迁。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’(🚅)s what makes this story interesting.
少(shǎo )年(🤲)莊崇斌無(🤥)(wú )法忍受同學(xué(🤐) )的欺凌，決(🙂)(jué )定跳樓結束(shù(🤚) )受欺凌的(✏)生(shēng )活(🌺)，警察趙順(✈)昌(chāng )及時出現，給(📯)了少年鼓(📏)(gǔ )勵和勇氣。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
