在贝鲁特一(📑)个街(🎷)角的咖啡店二楼[展开全部]
在贝鲁特一(📑)个街(🎷)角的咖啡店二楼(🛣)，有一面大大(⬅)的转(🧝)角窗(💎)和一台电视(🙎)机(jī(⤴) )，一(yī )位(wèi )78岁(suì )的(🛏)(de )退(tuì )伍(wǔ )将(〽)(jiāng )军(💼)(jun1 )和一位81岁的退伍(🥌)军医每天早(⛽)上都(🌹)会在这里碰面，看(🕺)着街(🍪)角车来人(ré(📓)n )往(wǎng )，做(zuò )着(zhe )填(tiá(📵)n )字(zì(🎐) )游(yóu )戏(xì )，以(🌲)此对抗阿茨海默(📖)综合(🤰)症。伴随两位(🚠)老人的玩笑和字谜，咖(🦖)啡馆的顾客(🌗)(kè )纷(🏯)(fēn )纷(fēn )登(dēng )场(chǎ(🙏)ng )。本片用发(fā(💵) )生在(♿)一个社会小角落(🤶)16天之内的一(🚰)系列(🌔)事件(🙄)，四两拨千斤(🎿)地讨(🤩)论了人生、政治(💺)、历史等(dě(✏)ng )话(huà(👁) )题(tí )；通(tōng )过(guò(✂) )单(dān )场(chǎng )景(🐌)(jǐng )多(📟)幕剧的结构让人(🤷)感受(🎈)到老人们的(🕛)孤独，以及疾病带(🎮)来的(🔣)苦涩，同(tóng )时(💠)(shí )映(yìng )射(shè )出(chū(😥) )黎(lí(🛍) )巴(bā )嫩(nèn )暴(🖕)(bào )力事件肆虐的现状(🔆)。以小见大，令(🔟)人回(🔇)味。
Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
一部四部故事(🕢)的选集恐怖(🐢)电影(🛹)(yǐng )。Die Laughing是(shì )一(yī )名(mí(🌡)ng )精(jīng )神病杀(🚦)手小(🎚)丑跟(🍍)踪一名年轻(🈯)女子(🐻)。在“恐怖女主持人(🕓)”中，一位电影(🎀)尖叫(🏅)女王在接受电视(🤘)脱口(kǒu )秀(xiù )女(nǚ(🗳) )主(zhǔ )持(chí )人(rén )采(🏗)(cǎi )访(📢)(fǎng )时(shí )获得(🌐)的收益超过了她(📹)的讨(😔)价还价。“坏花(🥕)”是一个自然流动的故(😽)事(shì )，而(ér )亨(🐙)(hēng )特(tè )讲(jiǎng )述(shù )了(le )一(🌵)(yī )个联邦调(❄)查局(😃)特工在一个小镇(🃏)调查一系列(⌛)野蛮(🈵)谋杀案的故事。
阿(🌤)黛尔和她(tā )的(de )母(🎊)(mǔ )亲(😭)(qīn )孔(kǒng )查(chá(📮) )生活(🔥)在城郊的一个贫(🎼)民窟里。孔查(🐿)的丈(🤚)夫是个可恶的暴(🚏)徒，他使母女俩长(🍸)期生活在暴力和(🚯)虐待(🧚)(dài )之(zhī )中(zhō(Ⓜ)ng )。对(duì )此(cǐ )忍(rěn )无(🔻)(wú )可(📣)(kě )忍的孔查(🌝)决定不顾一切风险，偷(👁)走一大笔钱(🔂)，并带着女儿阿黛尔逃(🐟)(táo )离(lí )。不(bú(🎆) )幸(xì(🛋)ng )的(de )是(shì )，她(tā )们在(🎺)出逃中被发(⌚)现了(🛹)。在追(🤵)捕过程中，孔(🅱)查却意外地驾车撞死(🤬)了丈夫……(🔒)这(zhè(🤬) )场(chǎng )逃(táo )离(lí )注(💷)(zhù )定是一次(♌)冒险(🎴)，而母女俩竭尽全(🤔)力，才能挣脱一直(👆)禁锢她们的牢笼(🤘)。在这(📮)段跨越生命(🚑)的寓言中(zhōng )，力(lì(🚯) )量(lià(🎠)ng )、困(kùn )难(ná(🦋)n )、爱(ài )的希望、机会(🐷)和死亡如影(👽)随形。
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...
《驴为媒》故事发生(🎳)在当下鲁西(🎺)大(dà(🔃) )地(dì )上(shàng )的(de )聊(liá(⏰)o )城(chéng )市(shì )，讲(💙)(jiǎng )述(💀)的是(🚘)在京打拼多(💼)年的有志青年，得知老(🚃)家惠民政策(🌒)后，回(🕗)乡养驴、带领(lǐ(🚐)ng )村(cūn )民(mín )脱(🦉)(tuō )贫(🥞)(pín )致(zhì )富，实现自(⏪)己创业梦，并赢得(👃)爱情的故事;讲述(🍗)了党(🌽)的精准扶贫(⏩)政策和乡村振兴(🤡)战略(🤗)在齐鲁大地(🌉)(dì )的(de )生(shēng )动(dòng )实(shí )践(🔗)(jiàn )，展(zhǎn )现(xià(🧐)n )了基层党员干部在全(👋)面建成小康(🔙)社会(🔏)进程中的“主心骨(🐧)”形象。电(diàn )影(🕐)(yǐng )《驴(🚹)(lǘ )为(🔢)(wéi )媒(méi )》坚(jiā(😋)n )持(chí )“小成本、大情怀(📞)、正能量”的(💋)创作(💉)宗旨，紧扣当前乡(🤥)村振兴和精(🥐)准扶(🤕)(fú )贫(pín )主(zhǔ )题(tí(🤱) )，将(jiāng )社(shè )会效益(👹)、价值引领放在(💦)首位(✊)，引导人们努(🕍)力实现个人前途(🎽)与国(🌛)家命运、个(🐴)体经历与时代大潮、(📪)个(gè )体(tǐ )情(🆚)(qíng )感(gǎn )与(yǔ )国(guó )家(jiā(🏜) )情(qíng )感的同(👉)频共(🏆)振，激励人们向上(🏪)向善，自觉践(🚆)行社(💏)会主(💱)义核心价值(🌱)观(guān )，讴(ōu )歌(gē )党(dǎng )、(🌉)讴(ōu )歌(gē )人(🤹)(rén )民(🚬)、讴歌新时代。
志(😛)愿成为摄影(🥍)师的(😗)肖恩（罗伯特·(👃)席安 Robert Sheehan 饰）根本不(⛎)想(xiǎng )被(bèi )死(sǐ )板(💖)(bǎn )的(🖨)(de )工(gōng )作(zuò )束(😃)缚。为了生计，他和(🕘)狐朋(😫)狗友德里克(🔒)（Carlito Olivero 饰）靠偷盗为生，甚(🕐)至假扮餐厅(📧)门童开客人的车到人(🛄)(rén )家(jiā )家(jiā(⏹) )里(lǐ(📿) )盗(dào )窃(qiè )。这(zhè )一(🖲)(yī )晚，肖恩开(🔊)着玛(🧤)莎拉(🤣)蒂潜入一个(🙃)似乎是成功人士的家(😽)中。当他以为(🛁)(wéi )得(🎈)(dé )手(shǒu )时(shí )，居(jū(♉) )然(rán )在(zài )对(🦏)(duì )方(🐒)房间里发现一名(🚷)遭受虐待全身被(😥)捆绑起来的女子(💝)。原来(🛢)，那个衣冠楚(🥪)(chǔ )楚(chǔ )的(de )男(nán )人(🎛)(rén )凯(🥈)(kǎi )尔(ěr )（大(📸)卫·田纳特 David Tennant 饰）竟然(🖐)是冷血残酷(🐛)的虐待狂。
查理和布希(🥡)這兩名熱衷(🤓)靈異(🦀)事件的追鬼狂熱(👼)者(zhě )，只(zhī )要(⛴)(yào )哪(🛹)(nǎ )裡(🌙)(lǐ )鬧(nào )鬼(guǐ(👅) )就(jiù )能見到他們的身(🎷)影。兩人對於(🥑)全美(💖)最凶的靈異地點(Ⓜ)「悲慘山」(😷)公路(⛪)(lù )深(shēn )感(gǎn )著(zhe )迷(📸)(mí )，當(dāng )然(rán )不(bú(🍓) )可能輕易放過這(😹)個捕(🚾)捉鬼影的難(🚎)得機會。而兩人在(♊)抵達(🏏)當地後，也接(😮)連(lián )目(mù )睹(dǔ )各(gè )種(🙊)(zhǒng )離(lí )奇(qí(🕞) )詭異的超自然現象。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🎫)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.[收起部分]
