大龄(🌺)未(💁)(wè(🔵)i )婚青年：麦圣男（于谷鸣饰）、(🏕)魏唯（(💓)王(🆔)钰(🚪)(yù )饰(shì )）和韩笑（唐(táng )昕）在(🍳)假(🎞)期(qī )聚(jù(💖) )首，三人为(wéi )了(le )给前去参加音(yīn )乐(⬅)交(🐤)流赛的夏(🧢)(xià )小亦（美加佳(jiā )饰(shì(⤴) )）凑应(🚧)援(🤞)团(📻)(tuán )，在“出租情(qíng )侣(lǚ )”的网店下了(💖)(le )订(👴)单。机场(🐒)内(🦁)(nèi )一番啼笑皆非(fēi )的“认亲”后(hòu )，一(👽)行(🧘)人踏上(shà(🕎)ng )了前往威海的(de )旅程。旅行(👠)中(zhōng )，中(👃)韩(🏆)混(🔨)血吉(jí )秀贤（袁昊饰(shì )）对韩笑(🐝)暗生好(🐟)感(🥪)，但(😗)心思细腻的他发现，其(qí )实麦圣(💭)男(🈷)与(yǔ )韩(há(🕸)n )笑情愫已生(shēng )，只欠东风，凭(píng )着极(🔍)高(⛴)的职业(yè(🐕) )操守，他决定(dìng )暗中推波(🎈)助澜(lá(💆)n )，上(🗽)演(🔦)一出动(dòng )人(rén )心弦的攻爱(ài )大(🅿)(dà(😇) )计划。几(📽)番(🤞)起(qǐ )伏曲折，圣男(nán )终于鼓起勇气(🏐)(qì(🍻) )浪漫告白(👰)，赢(yíng )得了韩笑的“美人心(🏏)”。
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
本(👘)片(📿)讲(🍤)述了(le )女主角之间的(de )竞技对决和爱(🤶)(ài )情纠(🕛)葛(🥖)的(🕘)故事，在生与死、爱(ài )与恨、真(🎞)相(👊)与(yǔ )谎(huǎ(💃)ng )言中她们所(suǒ )发(fā )生的不可思(sī(🛹) )议(💡)(yì )的人生(🕗)转变(biàn )。
阿黛尔和她的(de )母(🕳)亲孔查(🚯)生(👀)活(🔉)(huó )在城郊的一个(gè )贫(pín )民窟里(🎵)。孔(📠)(kǒng )查(chá(👤) )的(🏭)丈夫是个(gè )可(kě )恶的暴徒，他(tā )使(📅)母(🥤)女俩长期(🌲)(qī )生活在暴力和(hé )虐待(🔡)之中。对(🏫)(duì(😰) )此(🌀)忍无可忍的(de )孔查决定不顾(gù )一切(🤝)风险，偷(💟)(tō(⏭)u )走(📅)一大笔钱，并带着女儿阿(ā )黛尔(🕠)逃(🚄)离。不幸的(📬)是，她们在(zài )出逃中被发现(xiàn )了(le )。在(🏋)追(😛)捕过(guò )程(💄)(chéng )中，孔查却(què )意(yì )外地(🕠)驾车撞(🈵)(zhuà(🎆)ng )死(🐓)(sǐ )了丈夫……这(zhè )场逃离注定(🧗)是(📋)(shì )一次(🌸)冒(〽)险，而(ér )母(mǔ )女俩竭尽全(quán )力(lì )，才(🌚)能(💔)挣脱一(yī(📘) )直禁锢她们的(de )牢笼。在这(🦑)段(duàn )跨(🦌)越(🚍)生(✌)命的寓(yù )言中，力量、困难、爱的(👤)希(xī )望(🔭)、(➰)机(🔵)会和死(sǐ )亡如影随形。
明朝年间(🏒)，兵(🕛)(bīng )部尚书(😑)麾下的(de )百户段天昊为查出倭寇与(🈚)阉(🈳)党(dǎng )勾结(🚊)销赃的证(zhèng )据(jù )，加入锦(👤)衣(yī )卫(🌹)(wè(⛰)i )，几(🧘)年来一(yī )直(zhí )潜藏在太监(jiān )总(📽)(zǒ(🆔)ng )管张公(🏃)公(🗄)身边(biān )。就在他终于(yú )得到线索，准(🎆)(zhǔ(🕢)n )备(bèi )与多(👨)年兄弟(dì )总(zǒng )旗苏子峪(👐)里应(yī(🌯)ng )外(✡)合(🤘)抓住犯人(rén )时，兵部尚书(shū )刘大人(💾)得到阉(⏸)(yā(🃏)n )党(🕍)利用倭寇陷(xiàn )害福州知府的(de )线(〰)报(💗)，并派出(🐂)(chū(⏭) )段天昊的弟弟(dì )段天麟到倭寇(kò(😩)u )处(🖍)卧底。段天(🚬)昊与苏子峪只得放弃到(🐱)手的功(🏧)(gō(〰)ng )劳(⚾)，前往福州(zhōu )，却不曾料到(dào )竟(jìng )是(🧒)一场有(🌱)去(🍊)(qù )无(wú )回的凶险之旅(lǚ )。
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’(💗) and ‘(🌪)Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🌇) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
從高(gāo )峰滑落谷底，比(bǐ(🐌) )從未風光(🎒)過(💈)(guò )更(gèng )難受？前曼聯(lián )球星簡東(👒)拿變(bià(💋)n )身(🌟)潦(🍂)倒過氣藝(yì )術家尤利西，那種時(🈹)不(🚩)我與(yǔ(🥫) )的(🥚)虛空落寞盡(jìn )在眉宇間。藝(yì )術學(👨)生(😺)蒙娜欲(yù(📦) )拜他為師，反(fǎn )過來成了(⬜)他重生(💩)的(🦍)希(🗯)望。發現身患絕症後，他由蒙娜作伴(💫)(bàn )，走出(🌃)隱(🥟)居大(dà )宅(zhái )，尋訪當年(nián )被(bèi )他離(🦕)棄(🥧)的弟弟(dì(🏾) )及妻兒，坦白(bái )致歉望求寬恕(shù )。感(🕤)性(🌲)而不感(gǎn )傷(shāng )，碧巴達以(yǐ )不(bú )慍(📶)不火的(⛲)圓(🍲)熟(🐲)(shú )技巧呈現破碎(suì )人生的悲喜(🔢)，冷(🐊)不防遇(🐤)上(🗣)慌(huāng )失失劫匪來個(gè )黑色幽默，也(🔚)(yě(💂) )未忘留下(🕸)孩子(zǐ )的善良，溫潤(rùn )人(🖱)間。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
