When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time. Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. 電(diàn )影劇情(🌑)是(🤟)一部(bù )勵志愛情故事(shì(🔎) )，講(🏽)述(shù )男女主(zhǔ )角兩人(ré(🚦)n )因(⏬)一(🤺)次交通意(yì )外，女方失去(➰)(qù(🎐) )記憶，男方因(yīn )此有預知(🥙)未(🦅)來(lái )能力。吳卓羲(xī )表示(🌙)：(💆)「我哋(mì )呢套係(xì )一部(🎃)愛(🕒)情至上(shàng )，又好凄美又(yò(📰)u )浪(🍐)漫(🎲)嘅愛情片(piàn )，男女之間(📯)又(🍘)(yò(✍)u )唔係牽涉床上(shàng )戲嘅，溫(🍸)馨(🐯)鏡(jìng )頭嘅床(chuáng )戲係有，都(😗)要(🥌)(yào )睇劇本睇下有(yǒu )冇需(👶)要(⤴)攬呀錫(xī )呀，其實情侶(lǚ(👎) )關(🈲)係必須要有(yǒu )嘅，如果唔(🐮)係(👐)(xì(🥁) )觀眾唔(én )知你係情侶。」(📳) Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol. 麦(🍬)昆本想给(gěi )女友来一场(🕙)创(🦕)(chuàng )意十足的求婚(hūn )，但在(🎲)毫(🏛)无预(yù )兆的情况下结(jié(😪) )束(🍃)了一(yī )场轰轰(hōng )烈烈的(😝)(de )爱(🥡)情，结局悲(bēi )惨而可笑…(⚫)…(🏠)在(🧥)经历过失恋(liàn )博物馆中(🎴)的(🏎)种(zhǒng )种“失败”后(hòu )，麦昆(kū(🎒)n )放(🔑)下了(le )，觉得(dé )那段失败的(📠)爱(🔯)(ài )情反而激励了(le )自己，让(💑)自(🗺)己(jǐ )学会了(👣)如何去(qù )爱(🎬)一(❔)个(🎟)人，用(yòng )什么样的方式(shì(🔕) )让(🙏)双方(fāng )相处，也明白(bái )了(🥎)自(🌯)己该选择(zé )去爱一个什(🎑)么(✅)(me )样(yàng )的女孩。 A troubled streetwalker meets a mysterious hitman. Together they go down an action-packed rabbit hole of sex, violence, lies, and synchronicity. Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.